Back inside the house, Eiichi tells his sister that Gamera would finish Gyaos and that starting a forest fire on Mt.

Gamera tried to reach the new flower, but the Mother Legion badly wounded him before fleeing. Eiichi is interviewed about his experiences by Dr. Aoki and the Countermeasures Group, who have set up headquarters in the Hotel Hi-Land.

The second time the fire is started, it attracts Gamera. While much can be said about the technical aspects of film, coming from a small town in Germany, I cherish the notion of art showing its audience something which one does normally avoid, neglect or is unable to see for many different reasons. A fierce battle ensues, which ends when Gamera immobilizes Gyaos and flies him to Mt. His sister also tells the villagers that the headman was acting in their best interests and the villagers leave. Gamera vs. Space Monster Viras) is a 1968 tokusatsu kaiju film produced by Daiei Motion Picture Company and the fourth entry in the Gamera series. Giant Monster Dogfight: Gamera Against Gyaos), also known as Return of the Giant Monsters, is a 1967 tokusatsu kaiju film produced by Daiei Motion Picture Company and the third entry in the Gamera series. During a meeting the next day, the villagers become divided on whether to sell their land or not because of Gyaos. Gyaos grabs Eiichi and Gamera appears. Gyaos attacks at night and all of the cattle in the village run away.

The villagers return to inform the village headman of the happenings.

The Defense Force constructs a rotating platform with a giant bowl of synthetic blood on it. Futago and Gyaos destroys them. The young woman is revealed to be Eiichi's older sister. Gyaos appears and puts out the fire. After his performance as the lead in “Gamera vs. Barugon”, actor Kojiro Hongo again plays a character, foreman Shiro Tsutsumi, who seems to be the only individual in the story unaffected by the greed and hubris, or at least someone willing to deal with the consequences. The work crew goes to investigate.

Only Eiichi seems to know that the only force powerful enough to stop the monster is Gamera, who is still nowhere in sight.As with every entry into the franchise, the story of the monster battle, which is firmly placed at the finale, follows a sub-plot, dealing with a quarrel between a large building contractor and the farmers of a village near the volcano. Gamera vs. Gyaos (大怪獣空中戦 ガメラ対ギャオス, Daikaijū kūchūsen: Gamera tai Gyaosu, lit. Many millennia ago, an ancient advanced civilization known as Atlantis found a way to play God and created life, called the Gyaos, soon though, they got out of control, somehow being able to asexually reproduce themselves. It is Eiichi who calls the new monster "Gyaos" because of the sound it makes. Trapped in the middle of a fight between two fractions, ready to overstep moral borders to make a profit, he tries to be a mediator of some sort, a concept seemingly suspended by the battle between the two monsters.However, the movie revolving around Gamera also sees a change in how the giant monster is perceived by the characters and thus by the audience. A delegation of villagers then appear and tell Tsutsumi they will no longer oppose the expressway. One day, Gamera's old foes reappeared, and it's up to Gamera and the JSDF to fight off the new monsters.

Gyaos injures Gamera with its supersonic beam, but is forced to retreat after several blasts from Gamera's fire breath. The Gyaos are the main antagonists of the entire Gamera franchise. Meanwhile, Gyaos continues its reign of terror, making its way to Tokyo where it causes more mayhem, while the military and scientists are unable to stop it.

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